Sunday 29 April 2012

Why take photographs? (Ellie Jones)


I use photography to share my life’s experiences with others on facebook.


by Ellie Jones



When traveling one of the most important things I had was my camera.


by Ellie Jones


With it people were able to see the experiences I was having, they could see the people I was meeting and traveling with and they were able to see the amazing things I was seeing.


by Ellie Jones


I could upload all my photos to facebook whilst I was still overseas allowing all my friends and family to keep up date with what I was doing and where I was going allowing myself to share my experience with my friends and family back at home.

by Ellie Jones

In the water (Carlos Walters)


 I am a surf photographer from the northern beaches of Sydney. I take photos of the ocean and the surf in an attempt to capture that raw natural beauty that the ocean generates.


by Carlos Walters



By submerging myself physically, in doing so, I submerge my psyche into an intimate position with one of the most organic environments of the world.


by Carlos Walters



I have never been more content than when I am in the water; it is a sense of timelessness and freedom that makes the moment so profound.


by Carlos Walters



While a select few may be able to identify with this, especially surfers, a large majority of people fail to see this connection, or perhaps never have experienced it.


by Carlos Walters


Hence, a key aim of mine in conducting this body of work is to share and lend this experience to those who have not and will not acquire the opportunity to be subject to this experience. I will post a few of my photos here.


by Carlos Walters

  

The New Nikon 4D Review (Rexan)


Nikon D90
Well Three and a half years ago I bought my DSLR first camera. I it was Nikon D90. I was very happy, but now that I am expert photographer I know exactly what I want from my next camera to be like. 



Nikon D90 Key Features: -
  • 12.9 megapixel DX-format CMOS sensor (effective pixels: 12.3 million)     
  • 3.0-inch 920,000 pixel (VGA x 3 colors) TFT-LCD (same as D3 and D300)     
  • Live View with contrast-detect AF, face detection     
  • Image sensor cleaning (sensor shake)     
  • Illuminated focus points     
  • Movie capture at up to 1280 x 720 (720p) 24 fps with mono sound     
  • IS0 200-3200 range (100-6400 expanded)     
  • 4.5 frames per second continuous shooting (buffer: 7 RAW, 25 JPEG fine, 100 JPEG Normal)     
  • Expend image processing engine     
  • 3D tracking AF (11 point)     
  • Short start-up time, viewfinder blackout and shutter lag     
  • Slightly improved viewfinder (96% frame coverage)     
  • Extensive in-camera retouching including raw development and straightening     
  • Improved user interface     
  • New optional compact GPS unit (fits on hot shoe)     
  • Same battery and vertical grip as D80     
  • Vignetting control in-camera     
  • 72 thumbnail and calendar view in playback
For more information click on the like: Nikon D90


Nikon D4
However the Nikon D4 have change the way I think about photography. The 16MP full-frame camera is capable of shooting at 10 frames per second with full auto focus. In addition to a host of ergonomic improvements, the D4 also sees the expansion of its video capabilities, to the extent that Nikon is describing it as a 'mulch-media DSLR.' The cameras gains an Ethernet port, a 91,000 pixel metering sensor and an uprated AF sensor that can work in lower light and with smaller aperture lenses. Its sensitivity range can be expanded to the equivalent of ISO 204,800 and adds illuminated controls to make it easier to work in the low-light situations in which such a setting becomes useful. The D4 also becomes the first camera to make use of the XQD memory card format.

This is the commercial for Nikon's resent DSLR Camera


For more information click on the like: Nikon D4

Rhythms of The Urban Space (Rexan)

by Rexan
This weekend 28 April 2012 I had the chance to go for a photo shot in a historical place that has been there for handers of years. I have been told to choose a suburb or a street of Sydney to observe. As well as telling the story behind this urban space, So I have decided to go to the "The Rocks".




by Rexan

by Rexan
The Rocks, in the heart of Australia's most cosmopolitan city, encompasses the past, present and future. The Indigenous Cadigal people inhabited the rocky headland and surrounding shoreline for thousands of years. Then in 1788, Australia's first European settlers-British convicts and their overseers-claimed the land and built their camp atop the sandstone cliffs.




by Rexan
The Rocks eventually grew from an open-air gaol into a vibrant port community. Its colourful history-filled with tales of ‘shanghaied' sailors, rough gangs, and gritty life-can still be traced in the many surviving buildings from the last two centuries. But today the renovated former warehouses, sailors' homes, and dens of iniquity house a unique mixture of fine restaurants, one-of-a-kind shops, and galleries showcasing both established and emerging talent.  
by Rexan

by Rexan
The Rocks is a uniquely historical Australian quarter, one where you can explore Cadman's Cottage, eat in restaurants located in some of the oldest surviving buildings in Sydney, or browse boutique shops and galleries in the place where Australia's European settlement began. It's a village which echoes a long and colourful past and can be enjoyed by everyone in an equally colourful present.  

by Rexan

by Rexan
So come and enjoy The Rocks at your own pace and on your own terms. Wander around or relax; buy or browse; eat, drink and enjoy the ambiance. Delve into the history or let it simply surround you. Whether you're a first-time or repeat visitor, this web site will help you easily plan your next trip. We look forward to your visit.  

by Rexan
by Rexan
by Rexan
The Rocks is lively, scenic, and varied enough to capture anyone's imagination. But it's the area's many layers of history that make it a unique Sydney destination. Fortunately, that history has been studied, preserved and documented. Visitors can tap into this wealth of information to find out about the lives of The Rocks' previous occupants, as well as learn about the history of individual buildings and sites they see today.  

Sunday 22 April 2012

The blog

Welcome to our blog!


We are three students from Macquarie University. We all share an interst in photography and how it may influence our perspective of the world. This blog is an attempt to represent our viewpoint through our photography, and as such reflects our individuality and differences - captured through the various styles and genres that has an important baring for each of us.  



Wildlife Photographer of the Year 2011 exhibition review (Rexan)




Wildlife Photographer of the Year 2011

The Australian Museum opened their Wildlife Photographer of the Year 2011 exhibition in Sydney. It has started on the 10th of December 2011. The Australian Museum features a group of 108 wildlife photographs that has been chosen for the 2011 competition. The BBC sponsors the Wildlife Photographer of the Year 2011 competition and the Natural History museum must be the most important in the world according to their official website and truly create a centre of attention internationally. The collections of 108 photographs displayed have been selected from 95 countries. This is the 47th year that this competition been going for and it has attracted around 41.000 if not more by now.



There are collections of humorous polar bears to lively cheetah cubs and misty sunsets and some other unique photographs form the North Pole night-lights. These unique photographs appreciate the magnificence and delicateness of the world in which we live in. My tour around the gallery walls allowed me time to look into the prints clearly, analyse, think and consider the influences behind each photograph.

A few of those standout photographers surprised me because we share the same idea of photographing wildlife. Martin Cooper ‘s work (On the Tracks of a Coyote), Ilkka Räsänen (Tern Style), Stephane vetter (Heavenly Light Show), David Fettes (Pool of Hippos) and last but not least Paul Goldstein (Family Tree) were among the strongest in the exhibition, they integrated strong masterpiece and an artistic eye for encapsulating the natural world.

David Fetter (Pool of Hippos)
I absolutely loved David Fettes’s dramatic portrait ‘Pool of Hippos’. In this photograph, one hippo rises slowly from the water and looks straight at the camera, and for me the hippo looked at the camera knowing that he is going to get himself photographed. The background was out of focus with other hippos and the colours were balanced. Of the many animal portrait photographs that I have seen over the years, David Fettes is one of the best animal portrait photographer that I have ever seen, Specially that hippos spend almost whole day sleeping and resting in or near water.


Paul Goldstein (Family Tree)
There are other strong photographs in the exhibition that I can individually identify, but the one that stands out from the rest is titled ‘Family Tree’ taken by Paul Goldstein. Everything in this shot is impressive, but what impresses me the most is the title itself, for me giving a smart title to your shots that really defines what you are trying to tell people is not easy, so I think Paul Goldstein has topped it. In this photograph, a family of a cheetahs, a mother and her six 9 weeks old cubs are in balanites tree. They were climbing up the balanites tree, the mother was at the very top of the tree and her six cubs were flowing her, two of them are almost at the top, one is half way and the rest are at the start. I have never seen a scene like this before, I love that the pose for each one is diverse and the way they are protecting the tree as a family from any outsiders.

Stephane Vetter (Heavenly Light Show)
Stephane Vetter put up a beautiful photograph named ‘Heavenly Light Show that I thought is worth noticing. I was impressed with the techniques that Stephane vetter used to take the shot, he actually took a series of eight long exposures shots and then merged them to reproduce the magical landscape scene. It is about an aurora, which is something we do not see everyday, it is truly a natural electrical phenomenon. I loved the reddish or greenish light in the sky and I think from my experience as a photographer and a designer it is a good idea that Stephan Vetter took multiple shots to give it more definition. I found it to be a particularly strong composition that imparted a relaxing sensation.



Ilkka Räsänen (Tern Style)
Tern Style is a photograph taken by Ilkka Räsänen, the beauty of the photograph lays beyond aesthetic. However, if I would recall or rename the image then it would be ‘Seizing the Moment’, because I think it would tell more about the image itself. It is an image of a tern on the shores of Lake Saimaa in Finland. What fascinates me the most is the way terns fly and the way they use their magnificent aerial manoeuvrability to pull bits from the surface of water and to make shallow plunge dives after flying over their target. This snap draws the viewer into that moment as an excellent balance point in time.



Martin Cooper (On The Tracks of a Coyote)







And there is Martin Cooper, he had two works, but the one that captured my attention for quite some time is named ‘On the Tracks of a Coyote’, and it got me interested and thinking what is the story behind the coyote which appeared from no where in a local area where humans reside. So, as I was reading the story behind this shot, I found that Cooper use a zoom lens to take the shot, because coyotes tend to stay away from human beings, so it is hard to find a coyote near humans. However, Martin managed to take a remarkable shot with out disturbing.